Busy times ahead

Sorry for the long absence. I’ll rectify the situation.

So to the main topic of the day: Gear. Specifically NEW gear. IFA is coming up, and I expect most of the major manufacturers to announce some new product or other just before the trade show doors open. Last year, almost 50 new products were launched in the space of two days before IFA, and the signs say we may see something similar this year. Tuesday and Wednesday alone, I have no less than four press events to go to, all told. So far. And I’m not even at IFA!

Also, I’m drowning in spam here. Any tips for wordpress-plugin that handles spam better than wordpress itself does are more than welcome!

Nikon sues Sigma over patent infringement

Nikon sues Sigma over alleged infringement of patents regarding optical image stabilisation. According to the announcement at Nikon.com, attempts were made to settle out of court, but has proved unsuccessful in the long run.

The vague announcement does not state exactly which patents, but according to some sources Nikon is demanding a sum of money in excess of 150 million USD, in addition to Sigma stopping sale and production of its stabilised lenses.

Nikons announcement in full:

Nikon Corporation (KIMURA Makoto, President, Tokyo, hereafter referred to as “Nikon”) filed a patent infringement suit against Sigma Corporation (hereafter referred to as “Sigma”) to Tokyo District Court on May 25, 2011. Nikon’s lawsuit seeks an injunction against Sigma’s manufacture and sale of infringing interchangeable lenses with vibration reduction for single lens reflex cameras, along with damages for past infringement.

Nikon has invested considerable resources in the form of research and development over a period of many years. Such investments have created intellectual property that are important business assets of Nikon and have enabled Nikon to continuously provide the products and services that satisfy its customers requirements.

Although Nikon attempted to resolve Sigma’s patent infringement through negotiation, a non-adversarial resolution could not be reached. Consequently, Nikon concluded that filing a lawsuit was the only way it could protect its intellectual property.

Battle at F-stop Ridge

Panasonic G3 sees the light of day

This morning, Panasonic released the G3, their latest camera in the microFourThirds range. It sports 16 megapixels and FullHD video recording in 50i/60i (PAL/NTSC). According to Panasonic, the G3 is currently the smallest interchangeable lens camera with a built-in viewfinder.

And I can believe that.

I’ve had a brief hands-on courtesy of Panasonic, and can tell you that this thing is really quite small and light, but for the most part it doesn’t seem to be too costly in terms of performance, except for in one area: The battery.

The G2 could give you 360 exposures per charge, according to CIPA, whereas the G3 has to make do with 25% less, only 270. Sure enough, most users will get far more exposures per battery, because they use the power-consuming functions like LiveView and the flash to a far lesser extent than the CIPA standard makes room for. Still, even so, I think this battery is way too small. If you are planning on using this camera as your main shooter for anything, better get a few spare batteries.

Other than that though, it’s hard to find fault with this little beaut. Most other features are either as good as the G2, or improved to some extent.

The screen, for example, is exactly the same as the G2′s. It’s good enough, with its 460 000 subpixels on 3 inches of screen, but it’s hardly perfect. Personally, I’d like to see twice the resolution, but not if it’ll cost any significant amount of money, so I can sort of see where Panasonic is coming from here. Like before, the screen is touch-sensitive and is hinged on the left-hand side for easy swiveling and tilting.

Same goes for the electronic viewfinder. Panasonic’s EVF has gathered some well-deserved praise, and it’s still holding its own against the competition. Panasonic hasn’t had to change it significantly, and thankfully they have been able to leave a Good Thing alone. Well, MOSTLY alone. The EVF is said to have received better color rendition that the EVF previously used, but other than that the specs are the same as before. It seems a little too large for the otherwise slim camera though, and might snag on the camera bag coming out or going in. It’s not surprising though. In this housing Panasonic has squeezed in not only one of the best EVFs around (if not THE best), as well as a half-decent flash that rises comfortably high over the lens,and lastly a set of stereo microphones. Not too bad at all, even if I personally would have liked to see the mics go in favor of a smaller EVF-housing. But that’s me. Your mileage may vary.

I’m not sure upping the resolution from 12 to 16 megapixels is an improvement though, but judging the image quality based on the early sample I was shown was a no-no, so I won’t go there. The press release is full of marketese and bullshit phrases like “virtually noise-free images”. Time will tell if there is any truth to that, but the increase in resolution isn’t so drastic that there isn’t at least a possibility of an overall improvement in image quality per picture. Not sure about image quality per pixel though.

Speed is up, which is a definite improvement. Full-res shooting speed has been increased to an even 4 frames per second, and if you can live with reducing the resolution to 4 megapixels, max speed is an impressive 20 frames per second.

Video recording is as I mentioned 1920 x 1080. The sensor delivers this at 25 fps (PAL) or 30 fps (NTSC) and the camera’s processor converts it to 50i or 60i, respectively. The format is AVCHD, and the G3 can also deliver video files at 720p in this format. Alternatively, it can also give you 720p Motion JPG-files, if you prefer that.

The G3 is also a very beginner-friendly camera. The new and improved iA-mode will make most choices for you if you don’t care for making your own decisions, and if you agree with the camera but want to feel like you did it all on your own, you can adjust the cameras choices without knowing a thing about aperture, exposure, or white balance. Simply slide the slider across to the point you want it, between such extremes as dark/bright, blue/red, or background in/out of focus. So simple even grandma can do it.

Panasonic may have a winner here. Most enthusiasts will probably be a tad underwhelmed, but the truth of the matter is that this seems to be a very capable little camera, for the everyday shooter. It seems to be a great choice for your first system camera, and it’ll give you plenty of growing space, and something to grow into as well. As such, its scope seems much wider than most traditional entry-level cameras, which is clever by Panasonic, as it’ll leave customers free to spend their money on lenses instead, thereby gluing them even more to the mFT system.

Feedback to Fujifilm on the X100

Based on my previews (at akam.no and everythingPHOTO.net) and review of the Fujifilm FinePix X100, Fujifilm has asked me to submit, in English, what steps I think should be taken in order to improve the camera and rectify the faults and problems both myself and many other reviewers have pointed out.

I would first of all like to take this opportunity to thank Fujifilm for responding this way. Not everybody would. Indignation is a much more common response to an unfavorable(-ish) review, but instead asking for input on how to improve the product is a response I can respect and appreciate, and I am only too happy to be able to contribute to making the X100 the brilliant camera it very well may turn out to be, in the end.

Here’s the list I sent them:

MENUS:

1) Instead of two menus of four and six pages each, respectively, the camera should have more menus of only one page each.

2) Sort the menus by topic. Put Auto-ISO on the ISO-menu, and tidy the other menus up similarly.

3) Make the menus sticky until the camera is switched off, meaning the camera will remember which menu and item was last accessed, and jumps straight there when the menu-button is pressed.

4) Add a user-configurable menu, where the user can add any item or setting from any other menu in the camera.

5) Improve on the custom settings so that they include settings and options that are relevant for RAW-shooters.

BUTTONS:

1) Introduce some sort of key-lock activated and de-activated by pressing Fn + Menu/OK. Mobile phones all have something similar, and it can’t be difficult to program for the X100 either. The rear buttons on the X100 are far too easy to press by accident, and this would help. This function should lock all the buttons on the rear of the camera, except the AFL/AEL-button when in MF-mode (when it’s used for autofocusing).

2) Even when the key-lock is in effect, menus and settings should be accessible by pressing the Fn-button and another button simultaneously, with the second button determining what menu should be displayed. For instance, Fn+RAW should display a menu with RAW-settings and options, and so on.

3) Make the RAW-button user-configurable. It’s a pretty much useless button as it is now, and users should at least get the option of using it for something else.

4) The custom settings should be recalled by pressing Fn and another button, for instance the buttons on the left of the screen: Fn + Play for Custom setting no 1, Fn + AE for no 2, and Fn + AF for no 3.

5) The button combination for saving the custom settings should be the same as for recalling them, plus a third button, for instance Disp/Back. When those three buttons are pressed simultaneously, the current settings of the camera should be saved to the appropriate slot.

6) Give the key-lock a temporary and quick bypass in that the next button to be pressed after a certain combination of buttons will take effect as normal, as if the key-lock was not active. The key-lock should subsequently return to normal active state.

OTHER:

1) Make the focus ring turn ratio user adjustable and include the selected ratio in the custom settings.

2) ISO-settings should be sticky across all exposure modes, so that once it’s set in one mode it’s set to the same value in all modes.

All of these are things that can be achieved through a firmware-update, at least in theory. Ideally I’d like to see a few physical changes to the X100 too, but what I’ve outlined above is enough to change the x100 from promising and frustrating into a truly brilliant photographic tool.

X100 reviewed (Google-translated from Norwegian)

Google-translation here: http://tinyurl.com/68tjrvq

I’ll write a review in English based on the same testing later. For now, enjoy (?) Google’s mangling of the longest article I have ever written: Over 11000 words and a total of 67 pages in Word.

Light at the end of the tunnel?

Nikon just launched the D5100, a dSLR with the same exceptional sensor chip as the D7000, which is an astonishingly good camera. Admittedly, the D5100 is a less advanced camera than the D7000, but nevertheless it seems promising. Among other things, it seems that Nikon has finally taken the step up to 14-bit RAW files as the default and only option.

But that’s not the best: Nikons two biggest factories are situated in the Sendai area, and production was thus hit hard by the disaster in Japan. The D5100, however, will in its entirety be manufactured in Thailand, and estimated production capacity is a whopping 140.000 pcs per month. The camera will be available in shops a mere 16 days after launch. All of this is extremely impressive, in light of the challenges the camera industry and Japan face.

Hopefully, both will get back to normal as soon as possible, with as low a cost as possible, and maybe the D5100 will help achieve just that.

Fujifilm X100: Arrival imminent!

It’s here! (well, almost)

I’ll get my mitts on a finished production-line copy of this VERY promising camera tomorrow morning, and I’ll start work on the review first thing. Reviewing a camera normally takes at least three weeks – this one I get to keep for two. Hence, writing will largely have to be postponed until the last week. In other words, look for the finished article about the finished article here, in three weeks time.

By the way, if there’s anything in particular you’d like me to look into, please feel free to voice your wishes in the comments to this post.

SUCH a gorgeous camera. I just hope it's GOOD too!

SUCH a gorgeous camera. I just hope it's GOOD too!

Wow! Just… Wow!

Norwegian Terje Sørgjerd spent untold nights outside in northern Norway in March, shooting over 22 000 individual pictures, to splice them together into this mesmerising timelapse video of the aurora borealis, or northerns lights.

Turn down the lights, fullscreen the video, turn up the volume, and let the dream take you.

The Aurora from Terje Sorgjerd on Vimeo.

So what’s new?

Long time no write

I’m sorry for the long downtime, but I hope you’ll still stick with me and drop by from time to time.

The reasons for the long silence are many and varied, but for the most part I’ve been busy at work lately, moving offices and setting up a new test lab for cameras and lenses. This is primalily for my employer’s benefit, seeing as they actually PAY me, but indirectly it’s for YOUR benefit too. I’ll be able to use it for testing and reviewing stuff for everythingPHOTO as well, and use my experiences from work to give you English-language reviews of interesting gear.

The test lab being set up.

Another reason for the quiet was that I simply didn’t have anything new to say. While I will be reviewing gear here at everythingPHOTO, I don’t want to drown the site in it. I’ll only be reviewing stuff I think is especially interesting or particularly good in some way or another. Stuff that is bad or uninteresting may be mentioned, usually in a derogatory fashion, but not reviewed as such. Also, I won’t be writing here just to keep the site active. I won’t write anything, in fact, unless I have something to say. It’s not fair to the readers, and it’s not in keeping with my ambitions for the site.

In other news:

First of all, I’m waiting for a review copy of the Fujifilm X100 to arrive. Fujifilm has promised us that we’ll be the first in the country to receive it, as a thanks for agreeing to remove the samples from the pre-production camera, and as soon as the Norwegian-language review has been published, I’ll do my own English-language one here. I hope you’ll like it. I don’t know exactly when this will be though. Some shipments are delayed indefinetly due to the situation in Japan, but a small number of cameras has arrived and been sold over the counter this week-end.

Secondly, I am currently reviewing the Canon EF 70-300mm f/4-5.6L IS USM for my regular job, and I am unsure if I should do one here as well. What do you think?

Third and last, I do have plans for this website, so please check up on it from time to time. I’m still waiting for a few prospective contributors, but like me, they have dayjobs too. We’ll get there, though. If you have any suggestions or wish to write for everythingPHOTO, please let me know. You’ll find an email-address to use in the first post, all the way at the bottom.

Plug:

If you have any interest in computer games and gaming at all, please drop by my new site the ANY key. There’s not much there yet, but give it time.